Juanjo Mosalini, bandonéon, compositions, arrangements.
Hailing from the bandoneon tradition, JUANJO MOSALINI is today busy developing every facet of his instrument in ensembles that perpetuate Argentina’s greatest musical form.
Yet he is first and foremost a passionate interpreter of the seminal composers of the start of the twenty-first century. Whether in chamber groups or as a soloist in the world’s most prestigious orchestras, JUANJO MOSALINI makes the fueye speak with a musical vocabulary that is at once classical, modern and contemporary.
With a career that now runs to 20 years, JUANJO MOSALINI is one of the most prominent figures of the Argentine musical avant-garde in Europe.
In a duo with guitarist VICENTE BÖGEHOLZ, he explores the world of Argentine rhythms in current chamber music. As if that weren’t enough, with the collusion of jazz bassist OLIVIER SENS, he immerses himself in improvisation and the composition of electronic music.
It seems perfectly natural to him to give free rein to his personal creation in perfect harmony with the human voice, such as that of SILVANA DE LUIGI, with whom he has built up a repertoire for two in which each plays a major part. This kind of understanding permits him a remarkable freedom for solo bandoneon.
But it is on the world stage that this brilliant musician is the ambassador of his instrument, whether it’s in LUIS BACALOV’s Quartet, GERARDO JEREZ LE CAM’s ensemble or with TOMAS GUBITSCH.